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“那个追上你的人，就是摩西。他不放过任何人，也不知道如何怜悯那些违反他的法律的人。”-George Woolliscroft Rhead
That man that overtook you, was Moses. He spareth none, neither knoweth he how to shew mercy to those that transgress his law.--George Woolliscroft Rhead (英国, 1855-1920)
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“我们所称的自由，我们所称之为自由，并不是有形的东西……”-Anonymous
That which we call freedom, that which we call liberty, are not tangible things ...--Anonymous
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威廉·鲍威尔·弗里斯的《朱丽叶，但愿我是那只手上的手套》-William Powell Frith
Juliet,O that I were a Glove upon that Hand--William Powell Frith (英国, 1819 - 1909)
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杰森·马丁，当代艺术I-
Jason Martin * - Zeitgenössische Kunst I-
(born in London in 1970)
Untitled, 2008, oil on steel, 236 x 354 x 11 cm
Provenance:
Private collection Thomas Olbricht, Essen
Van Ham, Cologne, 26 September 2020, lot 333 - acquired there by the present owner
Exhibited:
Hamburg, Deichtorhallen, Zwei Sammler: Thomas Olbricht und Harald Falckenberg, 24 June – 21 August 2011
Literature:
Luckow, Dirk: Zwei Sammler - Thomas Olbricht und Harald Falckenberg, Cologne 2011, p. 52 (without ill.)
The British artist Jason Martin expands the possibilities of painting with his innovative approach in using unusual materials which serve as paint. He attracted international attention with his large, brushed oil paintings, executed in thin layers of paint with self-made comb-like tools – such as the one being auctioned off. Because of the light bouncing off the shiny surface, experiencing the work in person is like walking towards a sculpture rather than a painting.
“There’s never really any single point to review the work or to experience the work, it’s about moving around. But there is a stillness as well, in that the organisation of the marks all collide into a central or suggested central point. […] When you encounter a work of mine, there is an academic approach to the performative act, the gestural act. I have a series of reduced movements that then compile in a composition. And you also look through it, because there is this implied sense of looking through, this illusion. […] I would suggest that my paintings are a hybrid between that naturalism, that looking through, that perspectival space, that implied pictorial depth and the didactic, academic concerns of abstraction, which are for me physical and arm-led, or I immerse my body into the whole making of the work. And they sit very much in between these two places, these two worlds. [...]”
Jason Martin on the exhibition: Convergence. Thaddaeus Ropac, Seoul Fort Hill, 24.2.-16.4.22
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“上帝，那个艾森巴赫！”-Moriz Jung
God, that Eisenbach!--Moriz Jung (奥地利, 1885–1915)
42 x 36 (106.7 x 91.2 cm)
Alfred Jensen. That Is It. 1966
阿尔弗雷德·詹森。就是这样。1966-
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莱昂纳德·库斯登继续说-Leonard Cusden
Keep that rest up--Leonard Cusden (Irish, 1898-1979)
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《跳舞过冬的衣服》（Anonymous）-Anonymous
Frocks that dance away the winter--Anonymous
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“伍德曼，饶了那棵树”-M. McClure
Woodman, Spare that Tree--M. McClure (美国, 19th Century)
